Learning to Draw - Naturally: May 2016

Monday 30 May 2016

Excercise 1 - update

Jeff gave me (belatedly) his Exercise 1 (self portrait) yesterday. I thought it was pretty good - he's now moving on to exercises 2 and beyond.

Sunday 29 May 2016

Folded fabric (or, if you're getting on, skin) is a fascinating brain teaser to draw. Light reflects most strongly at the top of the fold "ridge". Folds aren't parallel, but I've simplified a diagrammatic fold in the sketch below to show basic rendering of a simple fold. Add light source direction, shadowing from one fold to another, undercut (how fabric folds under itself) and other myriad issues to make fold studies a must do when seeking humiliation.

In the detailed rendering below by J. Snow you can see all these complexities beautifully handled.

Now it's your turn - set up your own drapery model still life, it could be clothing, curtains, a cloth. Render it as best as you can using the general idea of keeping the "high points" the lightest and following the fold convergences to their crease points. Not happening? Keep working on it.

Here's a nice one by our friend Raphael. You can just feel that fabric.

And then there's the incomparable Joaquin Alberto Vargas y Chávez "Vargas" (1896-1982) with this lovely fold study below... in this case, the black lace is rendered transparently with shadow at the side and maximum transparency on the ridges.

Exercise 5 - try your own fold study!

Tuesday 17 May 2016

Exercise 4 - Gesture Drawings

Where contour drawing is slow and painstaking, gesture drawing is mad with abandon. Draw what the figure is "doing" rather than the edges. Draw through the figure quickly showing the essential action, weighting or "gesture" of the pose.

The image above is from the Natural Way to Draw and shows gestural drawing with weight, intent, and movement.

You can practice with a real model or on the site below. Set the "controls" to any way you like, but I'd suggest 30 or 60 seconds with both male and female figures. Clothing is up to you.

http://artists.pixelovely.com/practice-tools/figure-drawing/

Happy drawing!

Sunday 15 May 2016

Exercise 3 - Contour Studies

Credit www.jasonwitte.com

Three types of drawing; Contour, Gesture and Modelled drawings form much of the technical basis of of drawing. All tremendously useful study types and worlds apart, when practiced independently, the approaches can be re-integrated into the process of "drawing".

This week we're going to look at "Contour Drawing" using Kimon Nicolaides, The Natural Way to Draw (1941) as a basis for the exercise:

Contour Drawing - 1-2 hours

Different from an "outline", a contour is a careful and painstaking study of an object or grouping, keeping the eye on the subject and the pencil on the paper. In fact, the eye doesn't even look at the paper since it is instead looking a a particular part of the subject. The pencil traces the contour edges of the subject so as to create in the mind of the artist, an unmistakable sense of what edge the pencil is tracing. Nicolaides says to, "exactly coordinate the pencil with the eye" and to "be guided by the sense of touch more than that of sight". An interesting trick to be sure, and one that, when practiced, yields a much stronger sense of connection to a subject, necessary to execute believable drawings.

Set up in a comfortable location with paper of about 15"x20" (40cm x 50cm) and a 3B pencil. Fasten the paper to a hard backing and sit close to your subject. "Wait until you are convinced that the pencil is touching that point on the model upon which your eyes are fastened". Start anywhere and stop anywhere.

Contour Faces (credit www.youthareawsome.com/contour-drawing/)

backpack (credit www.drawing-fun.net)

here are some that I did last week

Thursday 12 May 2016

Raphael master copy - Exercise 2

Whew, I learned a lot from this one... turns out Raphael (Sanzio da Urbino) was rather good at his job

Here's the first one I tried - there was something going wrong somewhere so I abandoned it ...

The second one was a bit "better" so I worked it up, but it's still problematic. Proportions are still not quite right but there you go. Good crosshatching practice anyway and the shoulders were interesting to work on.